Directed by Stefano Mordini, “ The Catholic School ”( or “ La Scuola Cattolica ” in Italian) is based on the new written by Edoardo Albinati, of the same name. The script, written by Massimo Gaudioso, Luca Infascelli, and Stefano Mordini, takes us six months back because, to understand the crime and why it passed in the first place, it's necessary to understand the sensibilities and the beliefs of the world that the narrative is based in. One look at the foundation of a hypocritical society, and you realize that it's damaged beyond form. And who bore the consequences? Well, the ladies, and the crushed. So, let’s see what happen in Edoardo Albinati’s class of ’75 that changed the outlook of the entire nation.
Spoilers Ahead
Plot Summary What Is The Film About?
As soon as we're taken inside the gates of St. Luigi High School, we realize that a huge conflict exists between the status quo that the unqualified academy wants to maintain and the factual ground reality. It was a- boys unqualified academy where violence was the order of the day, as said by the narrator, Edoardo Albinati, who was also a pupil there. Romoli had been bullied by some of the seniors, but he was ready to speak about anything. They were called into the headmaster’s chambers one by one, but nothing uttered a single word. But when Marco D’Avenia went and saw the state of the poor boy, he'd some sympathy. He told the headmaster that Jervis, Gianni Guido, and many others were involved in the exertion. Gianni’s father comes to meet the headmaster, and exactly at that moment, you realize where the real problem lies. Raffaele Guido was an influential man, and the academy entered a lot of donations from him. He suddenly cut the headmaster in between, as if telling him that he didn’t want to waste his precious time harkening to the moral lectures of the mock clerk. And the wishes of the important and influential prevailed. The academy mocked the very foundation of justice and gave Romoli a brace of new specs. Nothing happened to those who bullied him. Gianni was beaten by his father, but that had little or no impact on the boy, who went to a party latterly in the evening. The law of the land was veritably simple either you bully and dominate people, or you're restrained and live a life in fear.
Gioacchino Rummo, another pupil in the unqualified academy, belonged to a religious family. He was presumably the only one who was a religionist among all those who claimed to retain high morals and values. Gioacchino doesn’t understand how the perpetrators were left unpunished. His father tells him that wrongs should be understood and also forgiven. He says that an unethical act should noway be redressed with further revenge because supposedly, it wasn't the lord’s way. As crazy as it sounds, the father anticipated his kiddies to believe in the proposition. latterly that evening, Angelo, Gian Petro, Gianni, and others who bullied the inferior match and bandy how nothing said a word to them, and they could get down with it veritably fluently. It comes out in their discussion that they all belonged to rich and influential families who bestowed huge totalities of plutocrats to the academy. A man comes and tells Angelo that Andrea has been released from jail. At this moment, we don't know who he was, and we assume that he was a tardy serving a judgment for a crime. Angelo meets his family, Salvatore, in the night and gives him an assignment in brotherhood. He says that he can noway be a betrayer. Angelo had a menacing presence, and his family was spooked by him. Angelo was the kind of man who was able of going to any extent to get what he asked. Angelo realized that his family was homosexual. He wasn't ready to accept that fact. How can the family of a person who's soaked in poisonous virility, who wants to be in charge, who wants to have his way indeed if it requires operation of force, who takes pleasure in oppressing others, could be so delicate and recreant? Homosexuality was seen as a complaint, and homosexuals were seen as objects to be scorned at. D’Avenia showed traits of being masochistic. He was bludgeoned by Jervis and others, and he sounded to decide pleasure from the pain foisted upon him.
Edoardo, on the other hand, set up himself in a state of conflict. He confessed in front of the father that he frequently told falsehoods just to mix in. He validates every geste under peer pressure, but in the end, he feels void from the inside. He believes that if he shows his real side, it won’t be accepted by others. He was stuck in a dilemma where he didn’t understand how to not be a part of the debauchery and maintain his separate set of testaments. Edoardo’s stylish friend was a boy named Alessandro Arbus, who was nothing lower than a genius. He had a brilliant academic career and didn’t accept anything blindly, not indeed faith. He was planning to leave the academy as he felt that he wasn't learning anything there. Arbus ’ family was veritably unique too. His family Leda, with whom Edoardo had been infatuated for quite some time, was a part of a far-right revolutionist group. Arbus ’ father was always more interested in his scholars than in his children. latterly it was revealed that he was a homosexual, though the family knew about it ahead.
Stefano Jervi was another pupil who had made a veritably distinctive image for himself. He looked more mature, more confident, and more calm than the others. One regards at him, and you would know that he was under control. Jervi participated in an intimate relationship with one of his associates ’ maters. Picchiatello Martirolo( Pik) was the son of a notorious actress named Coralla Martirolo. Jervi frequently visited her house when Picchiatello wasn’t there. Pik was presumably autistic. He set up out about the affair of her mama and felt distrait, though he knew that there was nothing he could change about it. still, one will get to know that commodity wasn't right with their beliefs If one keenly listens to the exchanges that the parents had with their children and what the preceptors tutored in the classes. While asking his scholars to observe oil in which Christ was being beaten by people, a schoolteacher says that the persecutors are victims too, because those who hurt others, hurt themselves too. The scholars were a bit taken suddenly because they had no way heard such a crooked interpretation of the Bible. Raffaele Guido, the father of Gianni, believed that persuasion, trouble, and discipline were the three most important pillars of tutoring. He frequently told his son that as a man, he couldn't be so emotional. He took it as a vice and told him to be cold- thoroughbred. Because of the kind of parenting the boys had, it was just a matter of time before their recklessness turned into lawlessness and redounded in ruinous consequences.
‘ The Catholic School ’ Ending Explained What happed To Donatella And Rosaria?
Gian Pietro had given a lift to two unknown girls named Donatella Colasanti and Nadia. Gian told them that his name was Carlo. He did that because he saw them as probable targets upon whom the boys would prey latterly. His intentions are established when he meets the rest of the gang. He told Angelo that the girls stayed in Montagnola. By their response, you come to know that it wasn't a veritably posh position, and perhaps the elites didn’t like staying there moreover. But that didn’t stop Angelo from asking Gian to arrange for a meetup. Gian did the needful but didn’t want to be associated with whatever they were planning to do. rather than Nadia, another girl named Rosaria came this time. The girls were attracted by the extravagance and substance of these boys. They were attracted to the fancy buses they drove and the huge palaces they lived in. There's a conception in our society that a privileged person noway indulges in any exertion that's banned by the law. frequently it's seen that we produce a good perception about anyone who's carrying himself duly, looks decent, and comes from a well-to-do family, indeed if we don't know anything about him or his history.
Donatella, too, judged the book by its cover and didn’t know what she was subscribing to. Angelo and Gianni took Rosaria and Donatella to a manse, which they said belonged to Carlo. The girls couldn’t believe their eyes. They had no way seen such a beautiful bungalow in their whole lives. This scene is also reflective of the class conflict that was in Italy in the 1970s. There were a lot of profitable antagonists who legislated to ground the gap, but they still had a long way to go. Rosaria said that she'd like to go back home as it was getting late, but Angelo and Gianni had other plans. They refocused a gun at the girls and confined them in the restroom. To the horror of the girls, they realized what the real plan of the boys was. They told the girls that they belonged to the Marsigliesi gang. They sexually abused the girls, and soon Andrea Ghira, who was later released from jail, joined them. The girls were abused, beaten, and molested to the point that one of them couldn’t survive the pain and violence foisted on her. The boys killed Rosaria by drowning her in the bathtub, and Donatella could hear the muffled voice of her friend, crying for help and requesting the perpetrators to have some mercy on her. She noway imagined in her continuance that she'd be subordinated to a commodity like this. She prayed to the boys, but they kept on drugging and molesting her. Donatella pretended to be dead, and the boys prepared to dispose of both the bodies. Angelo and Gianni left both the bodies in the box of their auto, allowing they would dispose of them latterly in the night. Call it fate, luck, or sheer fortune, notoriety heard Donatella’s call for help and informed the police. Donatella survived, and Andrea, Angelo, and Gianni were caught by the police.